Passage:
I want to take this opportunity to talk about beauty, Black
beauty, dark beauty. I received a letter from a girl and I’d like to share just
a small part of it with you: "Dear Lupita," it reads, "I think
you're really lucky to be this Black but yet this successful in Hollywood
overnight. I was just about to buy Dencia's Whitenicious cream to lighten my
skin when you appeared on the world map and saved me."
I remember a time when I too felt unbeautiful. I put on the TV
and only saw pale skin, I got teased and taunted about my night-shaded skin.
And my one prayer to God, the miracle worker, was that I would wake up lighter
skinned. The morning would come, and I would be so excited about seeing my new
skin that I would refuse to look down at myself until I was in front of a
mirror because I wanted to see my fair face first. And every day, I experienced
the same disappointment of being just as dark as I was the day before. I tried
to negotiate with God, I told him I would stop stealing sugar cubes at night if
he gave me what I wanted, I would listen to my mother's every word and never
lose my school sweater again if he just made me a little lighter. But I guess
God was unimpressed with my bargaining chips because He never listened.
But a flower couldn't help but bloom inside of me, when I saw Alek [Wek], I inadvertently saw a reflection of myself that I could not deny. Now, I had a spring in my step because I felt more seen, more appreciated by the far-away gatekeepers of beauty. But around me the preference for my skin prevailed, to the courters that I thought mattered, I was still unbeautiful. And my mother again would say to me you can't eat beauty, it doesn't feed you, and these words plagued and bothered me; I didn't really understand them until finally I realized that beauty was not a thing that I could acquire or consume, it was something that I just had to be.
Paper
1 | Commentary
Within this passage of Lupita Nyongo’s speech, she emphasizes
through the use of rhetorical- and literary devices how stereotypical pressures
are put upon black-skinned women by society. As a result of this passage, the
effects of beauty ideals set by society upon dark-skinned women are shown
through the perception of her own self-worth. She develops an overarching theme
of inner conflict due to the perception of her own beauty, and the ideals set
by society, where her changing perspective stresses the effect of this internal
struggle which many young black girls are still facing.
Within the first section of the passage, Lupita Nyong’o develops
the inner conflict which she faced as a young girl, as a result of a letter she
received from a fan. Throughout this section, she emphasizes the absurdity of
these stereotypical pressures put on young girls by society.
Lupita evokes an image of the black skin, “beauty, black beauty.
Dark beauty” (line 1-2), using amplification to emphasize and evoke the
movement of resistance against the stereotypical pressures of fitting in with
the ‘white’ beauty ideal. The impression of black inferiority is aroused since ‘black’
seems to be negative. Reading from the letter she received, she re-enforces the
staggering effect which these ideals have led to, highlighting the admiring fan
who thinks she’s “lucky to be this black but yet this successful in Hollywood”
(line 4), with this antithesis establishing the idea that black people cannot
be successful (in the entertainment industry) due to their skin color. This
highlights the social and political context in which black people are looked
down upon for being unsuccessful in contrast to whites who are represented as
more successful. Lupita appeals to pathos arousing the emotion of compassion
and astonishment when reading that the girl was “about to buy … Whitenicious
cream to lighten my skin (until) you appeared on the world map and saved me”
(line 6). Stressing the effect that her success was a form of hope for
acceptance of the young girl’s black identity, rather than conforming to fit in
with society. Conveying the impression of nostalgia, Lupita recalls “a time
when I too felt unbeautiful” (line 7), utilizing neologism to mimic the
ugliness of not being beautiful. With the metaphor “teased and taunted about my
nigh-shaded skin” (line 8) she implies the repulsion towards black skin from
her peers. Creating a desperate-like mood, she recalls the memory of
“disappointment of being just as dark as I was the day before” (line 14),
establishing the idea that her skin color caused her to struggle with her own
appearance led her into huge dissatisfaction with herself. She therefore evokes
the mood of desperation through her childishly attempts to fit in by becoming
white-skinned. Lupita transition the tone further into absurdity, mocking her
attempts to “stop stealing sugar cubes” (line 15) and “listen to (her) mother’s
every word” (line 16) if “he (god) just made me a little lighter” (line 17).
She refers to God as having the ability to change her skin color, thus reinforcing
God as the ruler of her faith, and disappointment of her own identity as a
younger child. She therefore connotes the sense that her skin color led her
into deep self-dissatisfaction with her skin color, thus her identity and
appearance which was ruled by her faith of being black.
Following the sense of absurdity and mock towards
Lupita’s inner struggle as a young black girl, she transitions the mood in the
second section to rather optimistic. Using a few rhetorical devices and
recalling previous experiences, Lupita develops the movement of hope.
Lupita evokes a tone of optimism, with figurative
language used to denote the way “a flower couldn’t help but bloom inside of me”
(line 24), meaning that hope and resilience sparked in her life, contrasting to
the depressing tone which Lupita’s struggles created. Parallel to the young
girl who wrote her, Lupita finds herself as a young girl looking up to “Alek
[Wek]” (line 24). Using the allusion of Alek Wek, Lupita familiarizes the
audience with the impact that Wek had made to Lupita’s perception of her own
beauty. She implies that Wek had aroused “as spring in my (Lupita’s) step”
(line 26), imagery for the emotion of revitalization of her own self-perception
of beauty. Thus, stressing the effect of a successful icon who looked similar
to her, namely she was dark skinned. As an effect of this change of perception,
Lupita commenced to have “felt more seen, more appreciated by the far-away
gatekeepers of beauty” (line 27). The metaphorical representation of
gatekeepers of beauty refers to the stereotypical standards and ideals set by a
white society, suggesting the idea that now black women were also being
accepted more for their talents despite their skin color. This is a very
contrasting scene to the first section of the passage, where Lupita seemed to
create a rather pessimistic mood around her own self-perception of beauty, in
contrast to her transitioning perception of her own beauty. Lupita uncovers
using an anticlimax that she “was still unbeautiful” (line 29), the negative
neologism still is used to describe her own Beauty, however Lupita coveys the
impression that “unbeautiful” is not as negative as given the impression in the
previous section. As a conclusion Lupita states she “finally realized beauty
was not a thing that [she] could acquire or consume, it was something that I
just had to be.” (line 31-3). This epiphany suggests the idea that ‘black’ can
be beautiful if you perceive it to be so, and that one cannot use cosmetics or
other products to conform to a beauty ideal, but that one has to change their
perception of beauty in order to be satisfied with their (black) skin.
Concluding from this passage, Lupita Nyong’o highlights through
the use of rhetorical- and literary devices how stereotypical pressures and
beauty ideals affects black-skinned women. How the need to conform to a
specific beauty (or racial) ideal is suppressed upon young women, implying how
the social context of this passage reveals the mechanism of beauty expectations
in the society we live in. And how through the experiences of her own
adversity, Lupita came to reveal that one has to adapt her perception of beauty
in order to find satisfaction with their own beauty. In conclusion Lupita
stressed this overarching theme of beauty and self-appreciation to empower
black women struggling with their self-perception due to the ideals and
expectations set by society, and how to overcome this by maintaining their true
selves and changing their perception of beauty instead of changing themselves.
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